Gwendolyn Brooks For the CSET


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Gwendolyn Brooks by lyricalshaman

phatLiterature: 2002 EP. NO. 1: We Real Cool: Tribute to

Gwendolyn Brooks Poems

We Real Cool 
by Gwendolyn Brooks

                   THE POOL PLAYERS. 
                   SEVEN AT THE GOLDEN SHOVEL.

We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

THE GOOD MAN
by Gwendolyn Brooks

The good man.
He is still enhancer, renouncer.
In the time of detachment,
in the time of the vivid heather and affectionate evil,
in the time of oral
grave grave legalities of hate - all real
walks our prime registered reproach and seal.
Our successful moral.
The good man.

Watches our bogus roses, our rank wreath, our
love's unreliable cement, the gray
jubilees of our demondom.
Coherent
Counsel! Good man.
Require of us our terribly excluded blue.
Constrain, repair a ripped, revolted land.
Put hand in hand land over.
Reprove
the abler droughts and manias of the day
and a felicity entreat.
Love.
Complete
your pledges, reinforce your aides, renew
stance, testament.

SPEECH TO THE YOUNG: SPEECH TO THE PROGRESS-TOWARD
by Gwendolyn Brooks

Say to them,
say to the down-keepers,
the sun-slappers,
the self-soilers,
the harmony-hushers,
"even if you are not ready for day
it cannot always be night."
You will be right.
For that is the hard home-run.

Live not for battles won.
Live not for the-end-of-the-song.
Live in the along.

Sadie and Maud
by Gwendolyn Brooks

Maud went to college.
Sadie stayed home.
Sadie scraped life
With a fine toothed comb.

She didn't leave a tangle in
Her comb found every strand.
Sadie was one of the livingest chicks
In all the land.

Sadie bore two babies
Under her maiden name.
Maud and Ma and Papa
Nearly died of shame.

When Sadie said her last so-long
Her girls struck out from home.
(Sadie left as heritage
Her fine-toothed comb.)

Maud, who went to college,
Is a thin brown mouse.
She is living all alone
In this old house.

THE MOTHER
by Gwendolyn Brooks

Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.

I have heard in the voices of the wind the voices of my dim killed
children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches,
and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?--
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.

Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.

By Lupie Gonzales

http://www.ACEtheCSET.com

Lupie Gonzales Gwendolyn Brooks For the CSET

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